














Sacha Baron Cohen delivers an explosion of weapons-grade offensiveness, writes Peter Bradshaw













The culmination of this tale of life in a Romanian young offenders' institute proves as despairing as it is tense, writes Mike McCahill





If he hadn't poisoned his reputation so utterly, this lively bankrobber caper might have put Mel Gibson back on top, writes Peter Bradshaw





Peter Bradshaw: Sokurov's version of Goethe's tragedy is part bad dream, part music-less opera, with hallucinatory flashes of fear



Tim Burton plays the jokey 'darkness' of his style to totally predictable effect in his latest oddity-comedy, writes Peter Bradshaw


John Hillcoat's moonshine drama looks handsome but its cocktail of violence and sentimentality sticks in the throat






It could have been a neat, well-aimed satire, but myriad subplots dissipate the energy and comedy, writes Steve Rose


Yousry Nasrallah's attempt to yoke a stolid, state-of-Egypt drama to the Arab spring is a long, hard trudge, writes Xan Brooks





Haywire | True Blood: The Fourth Season | The Grey | Ghost In The Shell – Stand Alone Complex: Solid State Society | Children Shouldn't Play With Dead Things & Dead Of Night

Sokurov's study on the corrupting effects of power, which won the Golden Lion at Venice, is a ponderous affair, writes Philip French

One stirring short and three mischievous masterpieces feature on this collection from the great French auteur who died in his prime, writes Philip French



Catherine Deneuve is as wonderful in Christophe Honoré's homage to Jacques Demy's musicals as she was in the originals, writes Philip French

Mel Gibson is on classic form as an unhinged outsider in this brilliantly staged but confusing prison thriller, writes Philip French

Jean-Marc Vallée's experimental film alternates between two tales, one fascinating, one drivel, writes Philip French

Jay and Mark Duplass shift up a gear with this dark, funny slacker comedy, writes Philip French

Tim Burton's new vampire drama is visually arresting but rather ordinary, writes Philip French

Yael Bartana tackles the complexity of Polish-Jewish history in a hauntingly poetic film trilogy, while in Gateshead Elizabeth Price continues her investigation of modernism, writes Laura Cumming

Sherlock Holmes: A Game Of Shadows | Shame | I.D. | Life Is Sweet | Castle Freak | Underworld: Awakening

Sacha Baron Cohen's portrayal of a despot struggling to retain a grip on a fictional republic could be his most dangerous performance yet, says Henry Barnes

Humphrey Jennings's wartime propaganda films mark the peak of the British documentary movement, writes Philip French

Critics of War Horse overlook the fact that the Great War movie was never created for an adult audience, writes Mark Kermode

Mia Hansen-Løve proves that less is more in a beautifully observed tale of a student's romantic entanglements, writes Philip French

Jean Gabin was at the height of his powers in Marcel Carné's 1938 masterpiece, writes Philip French

This competent revenge thriller starring Martin Compston and Paul Anderson holds few surprises, writes Philip French

Ben Rivers's documentary about a loner in the Highlands captivated critics. Audiences may be less than rapt, writes Philip French

A 3D update proves that Disney's witty animation has stood the test of time, writes Philip French