Mary Poppins review – Disney’s entertainment sugar rush possesses thermonuclear brilliance
Manic, magic, madcap … Julie Andrews is superb in the role of the flying nanny, in a film filled with amazing songs - Peter Bradshaw
starstarstarstarstarRobot Dreams review – bittersweet buddy movie is one of the best animations in recent years
A lonely dog buys himself a robot companion and learns to see the world in a joyous new light in Spanish director Pablo Berger’s exquisite, Oscar-nominated film - Wendy Ide
starstarstarstarstarYou’ll Never Find Me review – profoundly creepy and thrillingly bold Australian horror film
This debut feature steeps you in a kind of waking nightmare – with a shockingly brilliant final act you may not be able to forget - Luke Buckmaster
starstarstarstarstarCopa 71 review – riveting story of Women’s World Cup goes way beyond football
The shameful treatment of women’s football after an unofficial tournament in Mexico in 1971 is the subject of this absorbing documentary - Peter Bradshaw
starstarstarstarstarInside the Yellow Cocoon Shell review – jewel of slow cinema is a wondrous meditation on faith and death
Much is open-ended about this realist yet dreamlike exploration of midlife crisis and regret set in Vietnam - Peter Bradshaw
starstarstarstarstarMade in England: The Films of Powell and Pressburger review – Scorsese’s guide to cinema greats
Martin Scorsese, who helped rescue the British film-makers’ work from obscurity, is the perfect person to discuss their unique and now beloved work - Peter Bradshaw
starstarstarstarstarMy Favourite Cake review – charming portrayal of a 70-year-old Iranian’s appetite for romance
Heroine Mahin (Lily Farhadpour) is fiercely determined to revitalise her mundane existence and taste a better life - Peter Bradshaw
starstarstarstarstarInterview With the Vampire review – Tom Cruise and Brad Pitt’s brilliant bloodsucking bromance
Neil Jordan’s horror-comedy features Cruise in scene-chewing form in a film that outrageously explores the vampire’s actually rather complex lived experience - Peter Bradshaw
starstarstarstarstarRepentance review – dreamlike satire from Soviet Georgia brings life to Stalinist ghosts
1980s black comedy unravels the brutal legacy of a despot who is as ludicrous as his crimes are appalling - Peter Bradshaw
starstarstarstarstarThe Zone of Interest review – Jonathan Glazer’s unforgettable Auschwitz drama is a brutal masterpiece
Only the constant pall of smoke, and a dread-inducing soundscape, tell of the horrors beyond the wall as the idyllic life of the commandant of the death camp and his family rolls by in Glazer’s Oscar-nominated film - Wendy Ide
starstarstarstarstarDays of Heaven review – Malick’s early masterwork heralds a rarefied visionary
The director’s rereleased 1978 film revealed some of the authorial signatures that would underscore a film-making career punctuated by a two-decade disappearance - Peter Bradshaw
starstarstarstarstarCircle of Danger review – Jacques Tourneur’s Hitchcock-esque thriller is a gem
First released in 1951, this endlessly entertaining film is an absorbing tale of an American arriving in postwar Britain looking for answers about his slain younger brother - Peter Bradshaw
starstarstarstarstarAll of Us Strangers review – Andrew Haigh’s drama grabs you by the heart and doesn’t let go
This deeply personal portrait of newfound love and a traumatic past, starring Andrew Scott and Paul Mescal, is an emotionally wrenching masterpiece - Wendy Ide
starstarstarstarstarAll of Us Strangers review – Paul Mescal and Andrew Scott tremendous in a beautiful fantasy-romance
Scott, Mescal and Claire Foy shine in a drama about a screenwriter who visits his childhood home to find his parents, who were killed in a car crash, still living there - Peter Bradshaw
starstarstarstarstarThe Enigma of Kaspar Hauser review – Herzog’s early masterpiece is bold and brilliant
Rereleased for its 50th anniversary, this gripping retelling of a true story about a disturbed youth who finds favour in high society, features a masterstroke of casting - Peter Bradshaw
starstarstarstarstarPoor Things review – Emma Stone transfixes in Yorgos Lanthimos’s thrilling carnival of oddness
The director of The Favourite teams up again with the fearless Hollywood star in a funny, filthy and explosively inventive spin on Frankenstein - Wendy Ide
starstarstarstarstarWonka review – Timothée Chalamet’s Chocolate Factory prequel is a superbly sweet treat
Timothée Chalamet leads a beguiling cast in a backstory that rinses away all sourness from Roald Dahl’s embittered chocolatier - Peter Bradshaw
starstarstarstarstarTótem review – exquisite Mexican family drama of joy and heartbreak
Writer-director Lila Avilés’s tender film, told largely through the eyes of a seven-year-old girl, is a minutely observed ensemble piece in which grief and celebration go hand in hand - Wendy Ide
starstarstarstarstarBluebeard’s Castle review – Michael Powell’s amazing serial-killer opera film
Powell’s expressionist-hallucinatory adaptation of Bartók features a blazing performance by Ana Raquel Satre as Bluebeard’s bride - Peter Bradshaw
starstarstarstarstarNapoleon review – Joaquin Phoenix makes a magnificent emperor in thrilling biopic
Ridley Scott dispenses with the symbolic weight attached to previous biopics in favour of a spectacle with a great star at its centre - Peter Bradshaw
starstarstarstarstarHow to Have Sex review – two stars are born with this searing study of consent
First-time British director Molly Manning Walker’s remarkable drama about a group of post-GCSE girls hellbent on partying in Crete features a career-making performance from new talent Mia McKenna-Bruce - Wendy Ide
starstarstarstarstarThe Royal Hotel review – nerve-shredding outback thriller
Julia Garner is superb as a US backpacker working in a menacing, middle-of-nowhere Australian bar in Kitty Green’s follow-up to The Assistant - Wendy Ide
starstarstarstarstarKing and Country review – Joseph Losey’s brutal reflection on the futility of war
Tom Courtenay is unforgettable as a first world war private on trial for desertion. But it is Dirk Bogarde, dripping with distaste for his defendant who delivers a horrific coup de grâce - Peter Bradshaw
starstarstarstarstarPressure review – pioneering story of living with British racism retains its power
Horace Ové’s drama has the punchy energy of a 21st-century graphic novel, mixing comedy, tragedy and bitter irony - Peter Bradshaw
starstarstarstarstarI Know Where I’m Going! review – Powell and Pressburger classic is a pure joy
The story of a headstrong heroine who knows what she wants, but is waylaid by the elements and an unexpected romance is one of the most lovable films in British cinema history - Peter Bradshaw
starstarstarstarstarBeshkempir, or The Adopted Son review – part childhood memoir, part mysterious folk tale
There are touches of Fellini and Satyajit Ray in the gentle, unforced artistry of Aktan Abdykalykov’s film, which casts the director’s son in the title role - Peter Bradshaw
starstarstarstarstarMean Streets review – Scorsese’s miraculous early masterpiece is a blistering classic
Rereleased for its 50th anniversary, this ultraviolent urban pastoral remains thrilling, sensual, dangerous and effortlessly fluent - Peter Bradshaw
starstarstarstarstarThe Bikeriders review – potent ode to the violent lives of 60s biker gangs
Jodie Comer, Austin Butler and Tom Hardy are magnetic in this power struggle-cum-love triangle inspired by Danny Lyon’s 1968 photographic study of Chicago bikers - Peter Bradshaw
starstarstarstarstarCry, the Beloved Country review – utterly absorbing tale from the birth of apartheid
Zoltan Korda’s 1951 adaptation of Alan Paton’s crusading novel is filled with passion and moral fortitude - Peter Bradshaw
starstarstarstarstar20 Days in Mariupol review – searing film bears terrible witness to brutal siege
Film-maker Mstyslav Chernov risked everything to document Russia’s attack from within the besieged city, recording unthinkable horrors in this vital account - Peter Bradshaw
starstarstarstarstarThe Exorcist review – Friedkin’s head-swivelling horror is still diabolically inspired
The 50th anniversary extended director’s cut of the 1973 tale of teenage possession still shocks - Peter Bradshaw
starstarstarstarstarRed Island review – beauty and colonialism in a French childhood in Madagascar
This visually exquisite, tender film about a boy growing up in a military air base on an former colony is a wonderful watch - Peter Bradshaw
starstarstarstarstarStop Making Sense review – Demme’s Talking Heads doc still burning down the house
The energy of Jonathan Demme’s 1984 film defies categorisation, and David Byrne in the ‘Big Suit’ is the Chuck Berry of new wave art-rock - Peter Bradshaw
starstarstarstarstarDazed and Confused review – Richard Linklater’s joyously evocative hangout movie
Rereleased for its 30th anniversary, this is a seemingly aimless but actually brilliantly controlled movie about Texan kids in 1976 - Peter Bradshaw
starstarstarstarstarLan Yu review – Stanley Kwan’s masterly and gentle Beijing-set gay melodrama
Kwan’s 2001 film was the strongest in a wave of gay-themed Chinese films and remains a poignant work that tugs at audience heartstrings - Ryan Gilbey
starstarstarstarstarPast Lives review – a spine-tingling romance of lost chances
Korean-Canadian writer-director Celine Song’s tremendous feature debut tells the poignant tale of childhood sweethearts separated by fate and thousands of miles - Mark Kermode
starstarstarstarstarLa Ronde review – a classic, dizzying dance of sex and adventure that leaves a lingering sadness
Max Ophüls’s 1950 tale of dalliances in early-20th-century Viennese cafe society is a tantalising waltz of licentiousness and emptiness - Peter Bradshaw
starstarstarstarstarPast Lives review – a must-see story of lost loves, childhood crushes and changing identities
Celine Song’s feature debut is delicate and sophisticated and yet also somehow simple and direct - Peter Bradshaw
starstarstarstarstarThe Killer review – terrific David Fincher thriller about a philosophising hitman
Michael Fassbender is perfect in the main role of a yoga-loving assassin who discourses on everything from morality to the Smiths - Peter Bradshaw
starstarstarstarstarThe Beast review – Léa Seydoux’s audacious drama throbs with fear
Disaster appears imminent as Seydoux and an impressive George MacKay meet across three different eras in what is maybe Bertrand Bonello’s best movie yet - Peter Bradshaw
starstarstarstarstarPoor Things review – Emma Stone has a sexual adventure in Yorgos Lanthimos’s virtuoso comic epic
Stone gives a hilarious, beyond-next-level performance as Bella Baxter, the experimental subject of a troubled Victorian anatomist, in Lanthimos’s toweringly bizarre comedy - Peter Bradshaw
starstarstarstarstarJurassic Park review – Steven Spielberg’s meaty dino-fest is as delicious as ever
The classic movie’s unforgettable performances and CGI effects remain glorious 30 years after its original release - Peter Bradshaw
starstarstarstarstarTokyo Story review – Yasujiro Ozu’s exquisite family tale stands the test of time
An elderly couple visit their grownup children in this stunning work of art from 1953, now re-released for its 70th anniversary - Peter Bradshaw
starstarstarstarstarTraining Day review – Denzel Washington’s finest, most sinister hour
Superbly watchable tale of corrupt cops is led by Washington’s swaggeringly malign detective, out to bully Ethan Hawke into wrongdoing - Peter Bradshaw
starstarstarstarstarSerpico review – Al Pacino is at his intense best in classic 70s corrupt-cop thriller
Powerful story of disguise and alienation is led by the moral passion of Pacino’s countercultural whistleblower - Peter Bradshaw
starstarstarstarstarLove Affair, or The Case of the Missing Switchboard Operator review – dissident sex and death
A Yugoslavian pulp classic from 1967, this tale of a young woman’s erotic misadventures more than matches the French new wave for black humour - Peter Bradshaw
starstarstarstarstarMission: Impossible – Dead Reckoning Part One review – Tom Cruise does it better
Seven films in and nothing about M:I, from the star’s incredible stunt skills to the silly-serious tone, is showing any sign of slowing down - Peter Bradshaw
starstarstarstarstarZiggy Stardust and the Spiders from Mars review – Bowie bids farewell to an icon in legendary gig
DA Pennebaker’s documentary offers moving moments and raw immediacy as the musician takes on his final performance as Ziggy Stardust - Peter Bradshaw
starstarstarstarstarBeauty and the Beast review – Disney’s Australian production soars on stage
Full of boisterous numbers and deeply felt emotion, Shubshri Kandiah and Brendan Xavier lead a wonderful ensemble through a tale as old as time - Cassie Tongue
starstarstarstarstarThe Wicker Man review – brilliant conspiracy chiller is a one-movie genre in itself
The satirical masterpiece goes well beyond what one expects from folk horror, with Edward Woodward as the priggish cop sent to investigate a pagan island - Peter Bradshaw
starstarstarstarstarSpider-Man: Across the Spider-Verse review – a dizzying, dazzling sequel
The first Miles Morales animation was a sensation, but this second film, with fresh characters, writers and energy, goes above and beyond - Wendy Ide
starstarstarstarstarThelma and Louise review – punchier, bolder, hotter and sweatier than ever
Callie Khouri’s feminist crime classic is a masterclass in narrative and character development and director Ridley Scott delivers pure action brio - Peter Bradshaw
starstarstarstarstarLa Chimera review – Alice Rohrwacher’s uproarious adventure teems with life
Set in 1980s Tuscany, Rohrwacher’s captivating film follows a lovelorn Englishman plundering Italy’s historical artefacts with a bizarre gang - Peter Bradshaw
starstarstarstarstarKidnapped review – Marco Bellocchio’s antisemitism drama is a classic in the making
Based on the true story of a young Jewish boy kidnapped by papal authorities, this is a full-tilt melodrama that lays bare tyranny, bigotry and the abuse of power in the Catholic church - Peter Bradshaw
starstarstarstarstarKillers of the Flower Moon review – Scorsese’s magnificent period epic is an instant American classic
Leonardo DiCaprio and Robert De Niro star in a sinuous, pitch-black tragedy about how the west was really won - Xan Brooks
starstarstarstarstarKillers of the Flower Moon review – Scorsese’s remarkable epic about the bloody birth of modern America
Leonardo DiCaprio, Robert De Niro and Lily Gladstone star in this macabre western about serial murders among the Osage tribe in 1920s Oklahoma, which reflects the erasure of Native Americans from the US - Peter Bradshaw
starstarstarstarstarThe Delinquents review – beguilingly surreal slow-motion Buenos Aires heist tale
If Pedro Almodóvar and Eric Rohmer teamed up to compose a meanderingly long crime caper it might look like this - Peter Bradshaw
starstarstarstarstarOccupied City review – Steve McQueen’s moving meditation on wartime Amsterdam
The monumental film which tracks day-to-day life in Amsterdam under Nazi rule asks hard questions of what we think about the gulf between past and present - Peter Bradshaw
starstarstarstarstarLocal Hero review – wistful 80s comedy snares your heart with charm and beauty
Bill Forsyth’s happy-sad tale about a fishing village under threat from US oil money is as wonderful as ever, with standout turns from Burt Lancaster and youthful Peter Capaldi - Peter Bradshaw
starstarstarstarstarThe Eight Mountains review – a movie with air in its lungs and love in its heart
A meditation on our capacity for love shapes this sweeping story of two friends, torn apart by family and life’s journeys but bound by something deeper - Peter Bradshaw
starstarstarstarstarAre You There God? It’s Me, Margaret review – Judy Blume adaptation is a winner
Abby Ryder Fortson and Rachel McAdams are remarkable in a thoughtful and funny expansion of the seminal 1970s teen novel - Lauren Mechling
starstarstarstarstarOne Fine Morning review – Mia Hansen-Løve’s moving tale of love and loss
In the role of a lifetime, Léa Seydoux plays a widowed single mum caught between new romance and the failing mind of her father in the French director’s deeply personal Cannes prize winner - Mark Kermode
starstarstarstarstarRaging Bull review – still packs a punch like no boxing movie before or since
Scorsese’s brutally nihilist biopic of the self-hating, self-sabotaging middleweight champion remains full of despairing beauty and unforgettable performances - Peter Bradshaw
starstarstarstarstarThree Colours: Red review – Kieślowski’s absorbing exploration of the lives of others
In what was to be his last film, the final chapter of the director’s trilogy considers our incurious habits by brooding on coincidence and fate - Peter Bradshaw
starstarstarstarstarGodland review – beauty and terror in magnificent study of church-building priest
Hlynur Pálmason’s fictional account of a Danish pastor sent to Iceland in the 19th century is superb in its compositions and nuanced depictions of hostility - Peter Bradshaw
starstarstarstarstarSuperman review – Christopher Reeve’s superhero origin movie still looks swell
Richard Donner’s 1978 event movie brought Hollywood grandeur, a great John Williams score and a gentlemanly hero quite unlike any other - Peter Bradshaw
starstarstarstarstarThree Colours: White review – Kieślowski’s expert black comedy of gangster capitalism
The middle film in the Colours trilogy features Julie Delpy as it takes a dagger to both France and Poland’s conception of equality and meritocracy - Peter Bradshaw
starstarstarstarstarTop Hat review – stylishly madcap dance film with Astaire and Rogers cheek to cheek
This madcap musical from 1935 about an American dance star visiting London swirls effortlessly back into cinemas, with classic songs from Irving Berlin - Peter Bradshaw
starstarstarstarstarThree Colours: Blue review – Binoche as charismatic as ever in Kieślowski masterwork
Krzysztof Kieślowski’s meditation on love and fate is the first in the trilogy to be rereleased 30 years on - Peter Bradshaw
starstarstarstarstarThe Beasts review – breathtakingly tense Galician thriller
A French couple’s dreams of the good life in rural northern Spain descend into all-out war with the locals in Rodrigo Sorogoyen’s superbly acted drama - Wendy Ide
starstarstarstarstarA Compassionate Spy review – love story of scientist who tried to stop nuclear war
Steve James’s engrossing documentary tells the story of Ted Hall, a young physicist who leaked nuclear secrets to the Soviet Union in order to protect the future of mankind - Phil Hoad
starstarstarstarstarBig Boys review – an achingly brilliant queer coming-of-age classic
Isaac Krasner delivers a sublime breakout performance as a lovestruck teen in Corey Sherman’s restrained but magical debut - Ryan Gilbey
starstarstarstarstarThe Age of Innocence review – Scorsese’s brilliant tragedy of New York society manners
Daniel Day-Lewis and Michelle Pfeiffer are powerfully matched as guilty lovers in an Edith Wharton adaptation that bears comparison with Hollywood’s golden age classics - Peter Bradshaw
starstarstarstarstarReality review – word-for-word replay of FBI interrogation is uncannily brilliant
Using the transcript of the arrest of whisteblower Reality Winner, Tina Satter’s superb piece of verbatim cinema asks questions about how power is wielded in real life - Peter Bradshaw
starstarstarstarstarBlue Jean review – Rosy McEwen is riveting in powerful section 28 drama
McEwan plays a teacher leading a double life in homophobic Thatcherite Britain in Georgia Oakley’s terrific debut feature - Wendy Ide
starstarstarstarstarWomen Talking review – a stellar ensemble energises Sarah Polley’s timeless parable
The Canadian director’s finely balanced drama about the abuse, secrets and shame of an isolated religious community boasts wonderfully nuanced performances, yet the real action lies in its knotty central argument - Mark Kermode, Observer film critic
starstarstarstarstarSaint Omer review – witchcraft and baby killing in extraordinary real-life courtroom drama
Alice Diop’s unnerving fiction feature is based on the true case of a Senegalese immigrant accused in the French court of murdering her 15-month-old daughter - Peter Bradshaw
starstarstarstarstarThe Fabelmans review – Spielberg’s beguiling ode to a life made by movies will leave you on a high
The director’s 1950s-set semi-memoir brilliantly examines how we edit our own life stories, and the repercussions - Peter Bradshaw
starstarstarstarstarEnys Men review – Mark Jenkin’s Cornish psychodrama will sweep you away
A lone wildlife volunteer on an island off the coast of Cornwall is haunted by the past and the landscape in the writer-director’s spellbinding follow-up to Bait - Mark Kermode
starstarstarstarstarTár review – Cate Blanchett dazzles as monstrous maestro
Todd Field’s film echoes the slippery genius of its protagonist, a brilliant conductor-composer who toys with her admirers - Wendy Ide
starstarstarstarstarTár review – Cate Blanchett is perfect lead in delirious, sensual drama
As the maestro heading into crisis in Todd Field’s outrageous tale, Blanchett’s performance pierces like a conductor’s baton through the heart - Peter Bradshaw
starstarstarstarstarThe Last Stage review – cinema’s first look at the horror of Auschwitz
This 1948 feature film by Wanda Jakubowska, a Polish survivor of the death camp, is both forthright and nightmarish, and invented the cinematic language with which to make the Holocaust thinkable - Peter Bradshaw
starstarstarstarstarThe Queen of Spades review – thrillingly addictive tale of gambling and sin
Thorold Dickinson’s 1949 Pushkin adaptation is a glorious melodrama about an ambitious Russian military officer and a countess who sold her soul to the devil in exchange for the secrets of a card game - Peter Bradshaw
starstarstarstarstarWhite Noise review – Don DeLillo adaptation is a blackly comic blast
DeLillo’s novel of campus larks and eco dread has long been ogled by Hollywood. Now it gets an elegant, droll treatment from Noah Baumbach, starring Adam Driver and Greta Gerwig - Peter Bradshaw
starstarstarstarstarFanny and Alexander review – Ingmar Bergman’s dark fusion of Shakespeare and Dickens
In a three-hour, 40th anniversary rerelease, this Swedish family saga unfolds with emotional power, wonder and brilliant acting - Peter Bradshaw
starstarstarstarstarThree Minutes: A Lengthening review – fragments of a Jewish town destroyed by war
The forensic analysis of home-movie footage shot in a small community in 1938 Poland is the subject of Bianca Stigter’s arresting documentary - Peter Bradshaw
starstarstarstarstarGuillermo del Toro’s Pinocchio review – a superbly strange stop-motion animation
The director of the Oscar-winning The Shape of Water has turned the timeless fable into a magical Mussolini-era parable - Mark Kermode, Observer film critic
starstarstarstarstarBones and All review – an elegant lovers-on-the-run road movie, with cannibals
Luca Guadagnino has surpassed himself with this poetic horror balancing threat, humour and emotional weight - Wendy Ide
starstarstarstarstarJulia Holter: The Passion of Joan of Arc review – strikingly contemporary, piercingly loud live score
The mercurial composer’s brilliant score perfectly captures the raging agony and beatific ecstasy of Carl Theodor Dreyer’s silent movie masterpiece - Dave Simpson
starstarstarstarstarCasque d’Or review – Jacques Becker’s gripping tragic drama of Parisian lowlife
Simone Signoret stars in a dark tale of love in the belle époque underworld that is a unmissable classic with a pitilessly grim finale - Peter Bradshaw
starstarstarstarstarAftersun review – luminous father-daughter drama starring Paul Mescal
Charlotte Wells’s debut feature is a stylistically daring, emotionally piercing and beautifully understated tale of love and loss - Mark Kermode, Observer film critic
starstarstarstarstarAftersun review – beach holiday with Paul Mescal and daughter is a sunny delight
This effortlessly relaxed debut by Charlotte Wells is a subtle and complex investigation of post-divorce parenthood, with a brilliant performance by young Francesca Corio - Peter Bradshaw
starstarstarstarstarThe Draughtsman’s Contract review – Peter Greenaway’s cerebral intrigue still beguiles
Greenaway’s arch tale of sexual and political manipulation has not lost its power to bewilder and compel - Peter Bradshaw
starstarstarstarstarThe Driver review – Ryan O’Neal gets away with it in rock’n’roll car-chase thriller
O’Neal is the cherub-faced, ultra-cool getaway driver in this re-release of Walter Hill’s thrillingly cynical LA pulp noir - Peter Bradshaw
starstarstarstarstarIs That Black Enough for You?!? review – tremendous study of black American cinema
Elvis Mitchell delivers a vivid history of African American cinema, ranging from the unsung heroes of Hollywood’s golden age to the thrills of Blaxploitation - Peter Bradshaw
starstarstarstarstarNil By Mouth review – Gary Oldman’s overwhelming study of family violence
It’s unsurprising the actor has yet to direct another film after giving so much to this blistering debut, acted at full tilt by a remarkable cast - Peter Bradshaw
starstarstarstarstarLiving review – Bill Nighy tackles life and death in exquisitely sad drama
A gentle and poignant Kazuo Ishiguro-scripted remake of Akira Kurosawa’s 1952 film Ikiru about a man dealing with a terminal diagnosis - Peter Bradshaw
starstarstarstarstarLyra review – brilliant life and tragic death of Northern Ireland’s fearless young reporter
Lyra McKee, killed by the New IRA in 2019, is shown here as an inspirational LGBTQ journalist, bravely addressing the lingering damage of the Troubles - Peter Bradshaw
starstarstarstarstarThe Banshees of Inisherin review – flawless tragicomedy of male friendship gone sour
Three Billboards and In Bruges writer-director Martin McDonagh reunites Brendan Gleeson and Colin Farrell in this deliciously melancholy tale set in remotest 1920s Ireland - Mark Kermode, Observer film critic
starstarstarstarstarDecision to Leave review – Park Chan-wook at his playful, slinky best
A married detective contemplates infidelity in the Korean director’s seductive, multilayered crime drama - Wendy Ide
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